清繡線佛像（七）釋迦牟尼佛 軸
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- 資料識別：
- 故絲000146N000000000
- 資料類型：
- 類型:緙繡、繪畫
- 型式:靜態圖像
- 主題與關鍵字：
- 儀仗（佛教寶蓋） 雲 宗教器用 蓮荷
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 130.9x59.8公分
- 關聯：
- 國立故宮博物院刺繡，黑白圖版98&*刺繡特展圖錄，頁80-83、133&*五彩繡。佛教創始者釋迦牟尼，雙目微闔，神態和煦，手結說法印記，端作蓮華高壇上，五色祥雲繚繞四周，頂上華蓋纓絡莊嚴。壇前釋尊的兩大弟子，年齡稍長，以頭陀（苦行）聞名的摩訶迦葉；以及多聞利智，品貌出眾的阿難，豎立兩側。通幅滿繡填地，視圖案所需運用長短針法，橫直等距針法，或參差交替針法，或平繡或盤纏。其輪廓處或留白或以彩線鈎勒。繡線亦視圖案所需，臂線有極細，有粗鬆。設色、技法、針線之使用，千變萬化。&* 佛教創始者釋迦牟尼，雙目微闔，神態和煦，手結說法印記，端坐蓮華高壇上，五色祥雲繚繞四周，頂上華蓋纓絡莊嚴。壇前釋尊的兩大弟子，年齡稍長，以頭陀（苦行）聞名的摩訶迦葉；以及多聞利智，品貌出眾的阿難，肅立兩側。 通幅滿繡填地，視圖案所需或平繡或盤繡。繡線亦視圖案所需，劈線有極細，有粗鬆。設色、技法、針線之使用，千變萬化。 &*Shâkyamuni, the founder of Buddhism, is shown here with semi-closed eyes as if in a serene state of bliss. He holds his right hand in the symbol of preaching and sits on a high lotus pedestal encircled by auspicious clouds tinged with various colors. Above is a canopy of jewels below a cloud. The two great disciples of Shâkyamuni appear in front. The older figure on the right is Mahâkâśyapa, while the other is Ānanda. They appear in reverence before the viewer. The composition here almost fills the entire scroll. Various techniques were used according to the motifs represented. There is a great deal of variety in the detail of the needlework, as well as in the coloring and techniques. &* 佛教始祖釋迦牟尼佛，雙目微闔，手結說法印記，神態和煦，端坐於蓮花高臺之上，五彩祥雲四周繚繞，頂上華蓋纓絡莊嚴。壇前釋尊的兩大弟子肅立兩側，年齡稍長，以頭陀（苦行）聞名的是摩訶迦葉。年輕品貌出眾且多聞利智的是阿難。 是幅刺繡，以五彩繡線，通幅滿繡填地，不見空白留底，是其最大特色。運用各種不同色線，按圖運針，視圖案所需，繡線有劈線極細的，亦有粗鬆的。再以長短針法，橫直等距針法，或參差交替針法，或平繡或盤繡，逐步完成全部圖樣。全幅色彩明亮艷麗，但艷而不俗，技法精工，是清繡中之佳作。是軸原品名為本院所藏清繡佛像十三軸之一。 &* Shakyamuni, the founder of Buddhism, is shown here with semi-closed eyes as if in a serene state of bliss. He holds his right hand in the symbol of preaching and sits on a high lotus pedestal encircled by auspicious clouds tinged with various colors. Above is a canopy of jewels below a cloud. The two great disciples of Shakyamuni appear in front. The older figure on the right is Mahakasyapa, while the other is Ananda. They appear in reverence before the viewer. The composition here almost fills the entire scroll. Various techniques were used according to the motifs represented. There is a great deal of variety in the detail of the needlework, as well as in the coloring and techniques.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
